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Arnold Livingston Geis

tenor

About this Artist

Praised by Opera Today for his “sizable lyric instrument” and “honeyed tone on all registers,” Arnold Livingston Geis is a recent graduate of Washington National Opera’s prestigious Domingo-Cafritz Young Artist Program. In the 2021/22 season, he makes his Lincoln Center debut, creating the role of Mr. Marks in Ricky Ian Gordon’s Intimate Apparel, which was rescheduled due to COVID-19. He also joins four-time Grammy® Award winner Esperanza Spalding as Agamemnon in Spalding and Wayne Shorter’s new opera Iphigenia, on tour with performances at the Kennedy Center, MassMOCA, and ArtEmerson in Boston; joins Opera Lafayette in Philidor’s The Blacksmith, New Amsterdam Opera for Georges in La Dame Blanche, Opera Saratoga for Beadle in Sweeney Todd; and sings Carmina Burana in his LA Phil debut at the Hollywood Bowl with Gustavo Dudamel. His recent engagements include Nemorino in L’elisir d’amore with Illinois Symphony, Handel’s Messiah with Indianapolis Symphony, and Obadiah in Mendelssohn’s Elijah with St. George’s Choral Society in New York City. Geis recently joined Washington National Opera for the roles of Jonathan Dale in Silent Night, Gastone in La traviata, and Bus Driver/New Preacher in the world premiere of Kamala Sankaram and Jerry Dy’s  Taking Up Serpents. He also sang Nikolaus Sprink in Silent Night with Glimmerglass Opera, Arnold Murray in The Life and Death(s) of Alan Turing with Chicago Opera Theater, and Tamino in The Magic Flute with Pacific Opera Project. 

As a Young Artist at Washington National Opera, he also sang Oronte in Alcina (Domingo-Cafritz Young Artist Performance), Snake and Vain Man in The Little Prince, Miles in the world premiere of Missy Mazzoli and Royce Vavrek’s Proving Up, and Count Almaviva in Il barbiere di Siviglia (Domingo-Cafritz Young Artist Performance). Geis created the role of Corpsman Harris in the world premiere of Heather Raffo and Tobin Stokes’ Fallujah with Long Beach Opera and later reprised the role with New York City Opera. His other recent performances include Ernesto in Don Pasquale and Apollo in L’Orfeo with Chautauqua Opera, Parpignol in La bohème and First Man in Pagliacci with LA Opera, George Power in A Touch of Poetry with Opera a la Carte, Satyaván in Holst’s Savitri with Pasadena Pro Musica, Vanderdendur/King in Candide with Long Beach Opera, Peter Quint in The Turn of the Screw with Opera on the Avalon, Pinkerton in Madama Butterfly with Pasadena Schubertiade, Duck in Alice in Wonderland with the LA Phil and LA Opera, Count in I due Figaro with UCLA Opera Theater, and Ferrando in Così fan tutte with the Paul Delgado Singers.  

On the concert stage, Geis has performed the world premiere of Gity Razaz’ Flight of Faith with the Chautauqua Symphony Orchestra, Beethoven’s Symphony No. 9 with Pasadena Symphony, Handel’s Messiah with Salastina Music Society, and Britten’s Canticle III with Pacific Palisades Chamber Ensemble. He has also sung in Handel’s Alexander’s Feast, Messiah, and Beethoven’s Missa solemnis with the Los Angeles Master Chorale. In addition to his work in the classical sphere, Geis is a member of both SAG-AFTRA and Actors’ Equity unions, and has recorded solo vocals for many television projects, including popular shows like Tom and Jerry and Family Guy, and has also sung for such blockbuster film soundtracks as The Jungle Book, Sing, Star Wars: The Last Jedi, Star Wars: Rogue, Fifty Shades of Grey, Minions, Dawn of the Planet of the Apes, and Disney’s live-action film of The Lion King. 

Geis is a graduate of the Domingo-Cafritz Young Artist Program, has been an Apprentice Artist with Chautauqua Opera, a Young Artists with Opera on the Avalon, and an Apprentice Artist with Bel Canto at Caramoor. He received his Master of Music from the Thornton School of Music at the University of Southern California and his Bachelor of Music from Biola University.